Vides

Interweaving the history of art, philosophical theories and concepts, and contemporary practices, this book invite the reader to ponder this paradoxical presentation of the void: how can you show something while showing nothing?

From {{ lowestprice.price.display }} {{ lowestprice.price.title }}
{{ lowestprice.price_strike.display }}
{{ lowestprice.price_other.display }} {{ lowestprice.price_other.title }}
{{ selectedVariant.price.display }} {{ selectedVariant.price.title }}
{{ selectedVariant.price_strike.display }}
{{ selectedVariant.price_other.display }} {{ selectedVariant.price_other.title }}
Out of stock
Export sales do not include VAT.
Sold by Centre Pompidou (Livres et produits dérivés) Topics
Interdisciplinarity

Description

How have artists, architects, philosophers and musicians understood notions of emptiness and absence throughout the twentieth century? The question is asked through a retrospective of "empty exhibitions" we have already seen, those by Yves Klein, Robert Barry, Michael Asher, Maria Eichhorn or Stanley Brouwn.

Descriptions & Features

Authors
Under the supervision of Mathieu Copeland
Publisher
Éditions du Centre Pompidou
Dimensions
210 mm x 280 mm x 34 mm
Publication year
2009
Number of pages
448
Number of illustrations
300
EAN
9782844263933